IL CENTRO DEL SUONO EXPOSITION: THE ORIGIN OF MUSICAL INSTRUMENT Acoustici Plannings - SOUND DESIGN (italian) MUSIC ARCHAEOLOGY: MUSEUMS THE SOUNDS OF PREHISTORY ELETTRONICS and WEB (italian) ON WEB (italian) WALTER MAIOLI, BIOGRAPHY |
SYNAULIA: Sounds, Music and Dances |
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CONCERTS AND PERFORMANCES PROPOSALS
IL CENTRO DEL SUONO
THE SOUNDS OF
PREHISTORY Experimental Archaeology applied to the performing arts The Soundcenter – directed by Walter Maioli, with Luce Maioli and Nathalie van Ravenstein |
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title and description of the performance | formation | |
THE SOUNDS OF
PREHISTORY Some hundred sonorous objects, the first musical instruments; |
2 or more components | |
The Sounds of Prehistory Sonorous journey in the Cave of the Bàsura The concerts are on reservation The Sounds of Prehistory |
3 components |
SYNAULIA SOUNDS , MUSIC’S, DANCES & THEATRE OF THE ANTIQUITY Experimental Archaeology applied to the performing arts directed by Walter Maioli, with Luce Maioli and Nathalie van Ravenstein |
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title and description of performance | formation | |
Sounds, music’s and
dances They will be exposed and used more than one hundred prototypes of musical instruments, original finds and replicas. Concert - performance: Sounds, music’s and dances of ancient Rome (in italian) |
The group Synaulia presents different repertoires according
to the events and the thematic. The basic-group is a quintet. Or in duo or trio, so in a "widened" group of 7/12 actually to 30 and more elements for the great demonstrations. |
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The ETRUSCAN
& ROMAN Musical Instruments They will be exposed and used more than one hundred prototypes of musical instruments, original finds and replicas.
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The basic-group is a quintet. Or in duo or trio. |
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The Sounds of the Mysteries The musical instruments of the
cults mysteric in the imperial Rome. |
The group is a quintet. | |
ANCIENT ROME MULTIETHNIC AT THE BORDERS OF THE EMPIRE "In imperial epoch they flowed to Rome and they circulated in the Empire a great number of singers, dancers and instrumentalists coming besides from Greece, also from Egypt, from Syria, from Spain, from Batavia, but also from black Africa and from the distant Ceylon, on the way for the Indies and on the silk’s route. |
Spectacle with the possibility to develop different thematics. To the basic-group Synaulia they join musicians, dancers and actors coming from different cultures, so a "widened" group can be formed of 12, actually to 30 and more elements for the great demonstrations. |
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THE ANCIENT PRESENT
In the research of the musical instruments of
the antiquity, individualized through the archaeological finds, the
representations and the literary descriptions we can deduce that
many of these instruments are still in use in the popular, and classic
music of our epoch, as "an ancient present". |
Performance in two different versions with the possibility
to develop different thematics. 1 - to the basic-group they join musicians and dancers of the Italian popular traditions. 2 - to the basic-group they join musicians and dancers of other cultures and countries. See developed performance: THE MUSICAL INSTRUMENTS OF ANCIENT EGYPT IN IMPERIAL ROME |
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FORTUNA Fortune and her horn, have travelled |
Spectacle in two different versions: 1 - for theatres, or indoors, with a group composed of 10 artists at least. With the different correlated characters: the Venus of the horn, Iside, the Witch. 2 - outdoors, with procession true the city streets. Group composed by 30 artists at least, with 9 dancers, fighters, sedan. |
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BACCO DIONISIAN TIASO Baccus, Dioniso and his tiaso, with Sileno, Menadi and Baccanti, Nymphs and Satyrs, to give life to the sacred festivity of the wine, with recitations of passages from the Latin texts, theatrical pictures, dances and processions. |
Spectacle in two different versions: 1 - for theatres, or indoors, with a group composed of 10 artists at least. 2 - outdoors, with procession true the city streets, group widened with 10 and more elements. |
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Poetry in Music NATURA ARTIS MAGISTRI Recitations, readings and declamations of ancient texts in Latin, Greek and etruscan or inspired to the antiquity with the accompaniment and in interrelation with the musical instruments reconstructed of the epoch: the lyre and the citra. |
In duo or trio. Show with the possibility to develop different thematics. REPERTOIRES "The enchantment of the nature" with the bucolic instruments described by Virgilio. "Meetings with Venus", and texts of Ovidio, Lucrezio, Plinio, Lucano, Apuleio. |
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ETRUSCAN MEMORIES Theatrical pictures devoted to the Etruscans. |
The basic-group is a quintet. Or a widened group of 7/12 actually to 30 and more components for the great demonstrations. With the possibility of fighters. |
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BANQUET Sounds, music, dances, recitation,
masks, ceremonial for ancient Etruscan-Roman banquets |
Two possibilities: 1 - we are at disposition with different formations to participate to your banquet. 2 - we propose you a banquet also furnishing the ancient foods. A complete spectacle where you will be the protagonists. Available three different banquets: A - IL CONVIVIO: Etruscan-Roman Banquet B - Roman Banquet C- Banquet At the border of Empire |
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NYMPHS, MUSES & SIRENS Dances, music and theatre of the antiquity A performance all to the feminine. |
The basic-group is composed by 7 artists, dancers plurinstrumentists. A widened group can be formed of 16 components. |
Walter Maioli Experimental Archaeology applied to the performing arts |
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title and description of the performance | formation | |
THE FLUTES OF THE ANTIQUITY Mediterranean and Europe from the Prehistory to the Romans THE FLUTE OF PAN - THE EAGLE’S BONE - THE EGYPTIAN FLUTES - THE DOUBLE FLUTE - THE ETRUSCAN TRANSVERSE FLUTE The flutes are accompanied by percussions: tympanum, cymbalum, crotala, sistrum and string instruments: cithara, sambuca, prototypes, original finds and replicas. |
In duo or trio | |
THE FLUTES OF ANCIENT EGYPT MAT Egyptian name - NAY – Arabic name OBLIQUM
CALAMO – Latin name They will be presented in preview the extraordinary
discoveries on the ancient Egyptian flutes, with the sonorous and
musical demonstrations performed on the flutes individualized and
reconstructed by Walter Maioli and The Soundcenter. |
In duo or trio |
SOUNDS
AND MUSIC’S OF THE NATURE
These "events"
they conjugate nature, archaeology, ethnology, studies of acoustics, Ideation
and direction: Walter Maioli |
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title and description of the performance | formation | |
“Talking leaves,
ghosts, shades |
In duo or trio | |
“Meetings
with the plants” The plants speak and they tell through the art of the nature With music, readings,
declamations, dances and theatre. |
With four and more components | |
“The Language of the Birds” Imitators, possessions, sonorous calls from the
whole world, flute virtuosities and transpositions in music and in Arcadian
poetry. |
With participations of different artists (to define) among
which: an imitator of the singings of the birds, Walter Maioli, Luce Maioli, Nathalie van Ravenstein, Ivan Gibellini with calls and flutes, two classical musicians and an actor. |
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Poetry in
Music |
In duo or trio |
CONTEMPORARY MUSIC | |||
artist | title and description of the performance | formation | |
Il Centro del Suono |
The Natur of Music
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In five or more components | |
Futuro Antico
Walter Maioli Riccardo Sinigaglia | ARCHETIPAL INTONATIONS
Futuro Antico is a group of experimental
music that has created in preview a match among the sounds of the ethnic
musical instruments in 1980 and 81, above all those prehistoric and
of the primitive peoples and the electronic sonorities, from here the
definition of "ethnoelectronic
music". |
Trio with possible guests. |
CONCERTS FOR THE DIDACTICS | |||
artist | title performance | description | formation |
Il Centro del Suono |
THE FIRST MUSICAL
INSTRUMENTS THE SOUNDS OF THE NATURE AND OF THE PREHISTORY Naturalism, experimental archaeology, ethnomusicology |
They will be presented and played hundred sonorous
objects the first musical tools; stones, seeds, woods, shells, bones, horns,
employed as percussions, whistles, flutes (among which in eagle bone), trumpets,
reeds, bows, flying rhombuses. Prototypes, original finds, replicas of the prehistory and musical instruments of the different primitive ethnic cultures. |
The basic-group is a quartet. Or in duo or trio, so in "widened" group of 7 or more elements. |
Il Centro del Suono |
The Sounds
of Prehistory in the Caves of Toirano |
Toirano (SV) Liguria The Sounds of Prehistory in the Caves of Toirano (in italian) |
In duo or trio |
SYNAULIA | Sounds and
dances of ancient Rome |
Experimental Archaeology applied to the performing
arts Concert - performance: Sounds, music’s and
dances of ancient Rome (in italian) |
The group Synaulia presents different repertoires according
to the events and the thematic. From three, actually to 7 or more elements. |
SYNAULIA | The Musical
Instruments of the antiquity ETRUSCAN AND ROMANS |
Experimental Archaeology applied to the performing
arts They will be exposed and used more than one hundred musical instruments: prototypes of original finds and replicas. |
The group Synaulia presents different repertoires according
to the events and the thematic. From three, actually to 7 or more elements. |
CONCERTS AND PERFORMANCES DEVELOPED AND IN PROGRAM
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